Class Expanded Illustration I

Expanded Illustration I explores the margins of a discipline in constant dialogue with multiple fields of study. The introduction of digitalisation has broadened the scope of illustration, particularly beyond drawing. This course follows and investigates this expansion through interactions with various disciplines (architecture, gastronomy, performance), introducing students to a range of methods emerging from these intersections.

Not applicable

— Introduction to the developments in the discourse of the expanded field of illustration, key bibliographic references. — Workshops and fieldwork with guest contributors from the fields of architecture, performance, and gastronomy. — Visit and activation work with archives and curatorial practice, through the use of various public and private cultural spaces.

Opening illustration beyond drawing and comics, in line with the most progressive international innovations, provides access to interdisciplinary methods to be absorbed by students, thus contributing to the evolution of the discipline—while also intersecting it with Portuguese culture.

Allen, G. (2016) The Magazine. London: Whitechapel Gallery. Bruno, F. Dulcineia, N. Pedro, B. Susana, L. (2016). A Arquitetura Moderna Foi Para O Céu. Teo lo Rego. Perro Le Fou. David, W. (1998). Fragments Of Utopia: Collage Reflections Of Heroic Modernism. Hyphen Press, London. Lisa, L. (2010). Failure. London: Whitechapel Gallery. Markus, M. (2016). The Archives as A Productive Space Of Conflict. SternbergPress. Mills, R. (2018) Illustration as an expanded field of practice: A speculative discourse. In: Illustration Across Media. Orhan, P. (2012). The Innocence Of Objects. Abrams. Carson I.A. Ritchie. (1981). Food in Civilization. CEAA. (2015). Arquitectura Moderna no Arquito Teó lo Regó. Centro de Arnaldo Araujo, ESAP-CESAP. Charles, M. (2006). The Archive. London: Whitechapel Gallery.