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Presentation
Presentation
Understand the basic concepts of digital imaging, becoming capable of processing and archiving them in a coherent and organized manner. Understand the functionalities of a digital camera. Acquire and develop technical skills in terms of processing digital images. Acquire knowledge to optimize digital workflow processes, fundamentally through Adobe Photoshop and Adobe Camera Raw software. Understand the basic principles of using artificial lighting to reproduce flat and three-dimensional objects.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 4
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Year | Nature | Language
Year | Nature | Language
1 | Mandatory | Português
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Code
Code
ULHT93-7949
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
1 - The image and the digital camera - Focal distance. - Lens types: Normal; Wide angle; Telephoto lens; Macro; - The shutter. - The diaphragm and depth of field. - The reflected light photometer. - Digital image and digital color. 2 - Lighting - The camera and its components. Diaphragm, shutter, lens, reflected light photometer. - The light. Color formation, photographic sensitivity , direct and reflected light, the color temperature of light, the relationship between light and photographic capture. - Studio lighting. Electronic (flash) and continuous lighting. - The different qualities of light and its manipulation in the studio. - Development of the lighting technique in the studio. Basic principles. Individual light, reflected light, fill light, cut light. - Continued practice. 3 - Photographic post-production - Basic principles of digital image development in Camera Raw. - Photoshop: Cropping and selection tools.
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Objectives
Objectives
They will acquire skills to carry out a diverse set of tasks inherent to the digital photographic process. Interpret the histogram, change the contrast, color and brightness, retouch the images with the various available commands, use layers and prepare the images for printing and/or the web. Begin familiarization with the studio environment and all its components, creating individual and group work methods, with the aim of better understanding artificial lighting. Understand and apply basic principles of composition, namely the adaptation of focal lengths of lenses to precise objectives, the visualization of objects, analyzing images according to their effect on the observer. Understanding photographic composition as an operation on a two-dimensional plane (with a suggestion of three-dimensionality)
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Teaching methodologies and assessment
Teaching methodologies and assessment
Theoretical-practical classes, where students are familiarized with the concepts of composition and lighting. Practical classes where students will have the opportunity to work with studio Flash, light modelers, meters and light analyzers, performing practical exercises of increasing difficulty with accompaniment. Continuous, individual assessment, carried out through the execution of practical exercises and a final work in digital format. ASSESSMENT Practical composition exercises - 20% Practical exercises in photographic post-production - 40% Practical Lighting exercises carried out individually ¿ 30% Continuous assessment ¿ 10% All students who register a positive average and attend 75% of classes are approved.
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References
References
Weston, Cris, The Essential Lighting, manual for digital and film photographers, Rotovision, 2004, Brighton, UK Adams, Ansel, The Zone System: A Câmera, O negativo, A Cópia, Editora Senac¿São Paulo, 2000 Langford, Michael,Fotografia Básica (5 ª Edição Revista e Aumentada), Dinalivro/Focal Press, 2003 Barthes, Roland, A Câmara Clara, Edições 70, Lisboa, 1981 Hunter, Fil, Light: Science and Magic: An Introduction to Photographic Lighting, Focal Press; 3rd edition (March 21, 2007) Shore, Stephen: The Nature of Photographs; Phaidon Press; 2007 Kadinsky, Wassily, Ponto Linha Plano, Lisboa, Edições 70, 2002 Arnheim, Rudolf, Arte e Percepção Visual, Pioneira / Thomson Learning, São Paulo 2004 Aumont, Jacques, A Imagem, Edições Texto&Grafia Lda. Lisboa 2009
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Office Hours
Office Hours
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Mobility
Mobility
No