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Class Modelling and Confection Workshop III

  • Presentation

    Presentation

    The curricular unit of Patternmaking and Manufacture Atelier III is a fundamental field for Fashion Design and Production. Within Fashion Design the fields of pattern making and manufacturing are essential, from the creation and development of sleeves and their details, the grading of pattern sizes, t-shirt development of patternmaking and manufacturing, the realization of base patterns of a jacket, to the idealization and development of the customization of a jacket, work of individual and practical character, throughout the semester.
  • Code

    Code

    ULHT6277-22987
  • Syllabus

    Syllabus

    1. Construction of basic patterns using two-dimensional patternmaking: t-shirt and bomber jacket; 2. Introduction to grading garment-based patternmaking. Practical exercise;  3. Patternmaking and manufacturing a T-shirt: an in-depth study of the construction of sleeves and armholes and their details (knitting). Practical exercise. 4. Developing a jacket: flat pattern and manufacturing a bomber jacket/blazer; 5. Notes and photographic records of the different processes, diagrams and descriptions necessary for garment construction.   
  • Objectives

    Objectives

    1. Knowing and executing flat patternmaking and size grading: Knowing and relating patternmaking and manufacturing in the contemporary fashion industry (jacket/bomber jacket typology) - processes, garment grading, sizes, measurement tables and wearability; 2. Developing, transforming patterns and making a knitted T-shirt complements the content of the course in partnership with the Fashion Design III course; 3. Knowing how to patternmaking and manufacturing a jacket/bomber and all its intrinsic characteristics (lining, pockets, trims, collars, types of fabric in a single garment, among others); 4. Develop photographic records and notes of the work carried out throughout the semester.  
  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    The course will be developed through theoretical-practical, expository, and demonstrative sessions, and practical work of an experimental nature will be developed during class sessions. Foster is also participatory and facilitates learning and the promotion of teacher/student interaction. The tutorial teaching will be fundamentally used in monitoring the project, carried out throughout the course unit.  
  • References

    References

    Abling, B. (2014). Moulage, Modelagem e Desenho: Prática integrada. Bookman. Aldrich, W. (2012). Fabrics and pattern cutting. John Willey & Sons Inc. Aldrich, W. (2014). Modelagem plana para moda feminina. Bookman. Amaden-Crawford, C. (2014). Costura de moda – técnicas básicas. Bookman. Fischer, A., Gobin, K. (2010). Construction for fashion design- basics of fashion. Bloomsbury. Fischer, A. (2015). Sewing for fashion designers. Laurence King Publishing. Jonhston, A., Hallet, C. (2014). Fabric for fashion: the complete guide. Laurence King Publishing. Lo, D. C. (2014). Patternmaking. Laurence King Publishing, 2014 Shoben, M. M., Ward, J. P., (2010). Pattern Cutting and Making Up – The professional approach.   
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