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Class Painting I

  • Presentation

    Presentation

    Painting I is a subject that develops two complementary ways of working: one on painting techniques and workshop methods, and the other on painting as a contemporary artistic practice.
  • Code

    Code

    ULHT722-14647
  • Syllabus

    Syllabus

    - TECHNICAL AND THEORETICAL EXERCISES aimed at acquiring painting skills through the use of INSTRUMENTS (pointed and spatula brushes, spatulas, brushes), MEDIUM (acrylic, oil, gouache, watercolour, dry pastel and oil pastel) and SUPPORT (paper, wood, canvas, wall). Preparation of supports (grids and canvases) and learning methods for each medium. - COLOUR THEORY: Application of methods in the execution of complementary grids and light-dark grids with the above media. - VISUAL RESEARCH EXERCISE on still life and its developments as a painting genre: overview of examples with technical sheets and definitions. PowerPoint presentation. - OBSERVATION EXERCISE: The descriptiveness of painting. This exercise is based on the visual research on the STABILISATION OF THE CANON and should show a DEVELOPMENT AND/OR UPDATE of the still life based on the drawings made in Drawing I. - PERSONAL PROJECT
  • Objectives

    Objectives

    General objectives:: To broaden the range of technical, theoretical and conceptual skills specific to painting as an artistic practice and field of research. To ensure that the experimental and personal universe of each student is maximised in this learning process. Specific objectives: To understand the canon of compositions known as the still life and the possibilities of developing and updating them, in particular through the analysis of cabinets of curiosities, hunting animals, undergrowth, flowers, food, trompe-l'oeil, vanitas, emblems, attributes of the Virgin, attributes of the Saints and the Protestant or Catholic Easter. Apply this theoretical and visual knowledge to contemporary artistic practice. To develop an individual project for public presentation/exhibition at the end of the school year.
  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    The relevant pedagogical methodology in this CU is tutorial contact. The individualised approach aims to broaden visual culture and stimulate the development of languages and technical processes, critical vision and research methodologies. The tutorials are conversations on the concepts underlying the objectives to be achieved: conceptual references, examples of works by national and international artists relevant to each case and bibliography are indicated, as well as the conception of the artistic proposal, in order to broaden the vision of each student individually. Critical and self-critical skills will be developed through collective classroom discussions on the processes and results of carrying out each exercise, promoting the use of appropriate technical terminologies. Where relevant, there are theoretical sessions, artist visits (in and out of) and study visits to complement the artistic context of relevant themes and events.
  • References

    References

    BAUDRILLARD, J. - Le trompe-l'oeil. In Documents de travail. Urbino. Università di Urbino-Centro Internazionale di Semiotica e di Linguistica, nº 62, Março, série F. 1977 CHEVALIER, J. & GHEERBRANT, A. - Dictionnaire des symboles: mythes, rêves, coutumes, gestes, formes, figures, couleurs, nombres. Paris. Seghers. 1974 CHEVALIER, J. - Dicionário dos símbolos. Lisboa. Teorema. 1994 DELEUZE, G. - Diferença e Repetição. Trad. Luiz Orlandi e Roberto Machado. Lisboa. Relógio d¿Água. 2000 HORNUNG, D, - Colour: A workshop for artists and designer. London. Laurence King Publishers. 2005 HOCKNEY, D. - Secret knowledge: rediscovering the lost techniques of the old masters. London .Thames & Hudson. 2001 MAYER, R. - Manual do artista. S. Paulo. Martins Fontes. 1999 PASSERON, R. - Création et Répétition. Paris. Ed. Clancier-Guenaud. 1982 SERRALLER, F. C.- Los géneros de la Pintura. Madrid. Edições Taurus. Colecção Pensamiento. 2005      
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