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Presentation
Presentation
This curricular unit aims to plan and systematize a process of artistic investigation in the field of photography; Its potential and developments will be explored, using various languages, platforms and supports, allowing for the hybridism of discourses, in physical or virtual space, through a design methodology that encompasses research, fieldwork, artist residency, edition and publication.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Master Degree | Semestral | 8
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Year | Nature | Language
Year | Nature | Language
1 | Mandatory | Português
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Code
Code
ULHT6611-24431
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
The course is structured in 3 key moments: I – Systematization of ongoing research work: Author productions will be presented, analyzed and discussed that reveal different strategies for collecting and organizing material and that articulate various stages of project implementation (book, exhibition, website, etc.). Students will be challenged to identify and apply an organization system to their research through a suitable platform for their objectives. II – the artistic residency will make it possible to gather, edit and discuss the practical and theoretical work carried out, with a view to devising strategies for the realization of an editorial object. The work process will be accompanied by a guest tutor, who will guide and promote moments of individual and shared discussion. III – the preparation of a publication (mock-up) intends to materialize the research in an editorial object (mock-up) that can adopt different formats (book, visual essay, etc.).
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Objectives
Objectives
This curricular unit discusses the recent developments in the discourse of authors in the field of photography and visual construction, aiming at the following objectives: Acquire fundamental skills, methods and practices, with a view to organizing and planning work processes, from conception to materialization of an editorial object; Develop capacity for critical and constructive analysis of images, experiencing the hybridity of discourses that connect photography to other narrative, expressive and formal dimensions; Acquire skills on the transversality of the various media in contemporary artistic production, which explore the narrative potential in photography, as well as the technical and conceptual options in terms of image editing and publication creation; This curricular unit aims to give continuity to the unit “Space, Place and Perception: Criticism and Construction I” and foresees the realization of an artistic residency aimed at the materialization of a publication.
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Teaching methodologies and assessment
Teaching methodologies and assessment
The methodologies are based on continuous practical and theoretical work, in the form of individual research, analysis and criticism.
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References
References
Cotton, Charlotte (2005). La Photographie dans l'art contemporain. Paris: Editions Thames&Hudson. Krauss, Rosalind (2007). O Fotográfico. Barcelona: Ed. GG. Parr, M. & Badger, G. (2014) The Photobook: A History Volume I, II, III, Phaidon. Parsons, Sarah. 2009. Sontag’s Lament: Emotion, Ethics, and Photography. Photography and Culture. Pink, Sara. 2021. Doing Visual Ethnography. Monash University, Sage, Australia. Trachtenberg, Alan ( 2013). Ensaios sobre fotografia de Niepce a Krauss. Lisboa: Orfeu Negro. Fontcuberta, Joan. 2016. La furia de las imágenes: Notas sobre la postfotografía. Barcelona: Galaxia Gutenberg.
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Office Hours
Office Hours
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Mobility
Mobility
No
