filmeu

Class Photography Theory

  • Presentation

    Presentation

    Students should acquire basic knowledge in the field of photography, including basic: knowledge about the role of the photographer, reinvention of the media, photographic practices, a picture of its presence in the art world, the paper of photographic image in communication and the theoretical reflection on photography.
  • Code

    Code

    ULP728-10502
  • Syllabus

    Syllabus

    1. General information on photography, the role of the photographer, photographic practices and theoretical reflection on photography 3. Basic rules of photographic composition. 3. Photographic Image in communication. 3.1 Photojournalism, product photography, advertising photography and the scientific photography. 4. The relationship of photography with the performing arts. 6. Documents and transfiguration of the real. 7. The Photograph in the first half of the twentieth century 8. Presence of contemporary art. 9. The photographic art practices, the visual test, the relation of conceptual art to photography. 10.  Verbal photo, the relationship of photography with text in conceptual art, artistic design and its context in the sense of image. 11. Anti-photographers, the reinvention of the media, appropriation, amateur interest in photography, file and advertising 12. Picture as a tool. 13. The relationship of photography with the performing arts (dance, music and theater) and performance art
  • Objectives

    Objectives

    It is intended that the student holds critical analysis capabilities to any type of photographic image, acquire sufficient knowledge to place an image in a given socio-temporal context, demonstrate the basic knowledge to carry out a research project on a topic addressed in classes or about an author to its choice and finally the basic theoretical skills in order to make the project / portfolio in the discipline of the next semester: Photographic Practice.  
  • References

    References

    BAURET, Gabriel. A Fotografia: história, estilos, tendências, aplicações. Edições 70, Colecção Arte & Comunicação. Lisboa, 2000. FRIZOT, Michel. A New History of Photography. Ed. Köneman. Colónia, 1998. LANGFORD, Michael. Fotografia Básica. Edições Dinalivro. Lisboa, 1996 MANNONI, Laurent. A Grande Arte da Luz e da Sombra. Arqueologia do Cinema. Senac Editora. São Paulo, 2003. Bibliografia Secundária: ARISTARCO, Guido e Teresa. O novo mundo das imagens electrónicas. Edições 70, Colecção Arte & Comunicação. Lisboa, 2005. JEFFREY, Ian: ¿Photography ¿ A Concise History¿, Thames & Hudson, London, 2010 (1981). SONTAG, Susan: ¿On Photography¿, edição Penguin Books, 2008 (1979)* V.A.: ¿The Photography Reader¿, editado por Liz Wells, Routhledge, London, 2002.  
SINGLE REGISTRATION
Lisboa 2020 Portugal 2020 Small financiado eu 2024 prr 2024 republica portuguesa 2024 Logo UE Financed Provedor do Estudante Livro de reclamaões Elogios