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Presentation
Presentation
This subject allows you to learn about the phases and methodologies of creation, developing narratives and knowing how to apply these concepts in the context of writing and for the future materialization of audiovisual content in images and sounds. in different genres. Application of creative processes and their use in the conceptual development of a short fiction film project. Developing creative skills in the areas of scriptwriting/argumentation oriented towards the areas of audiovisual communication, bridging the gap with acting work. Translated with DeepL.com (free version)
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 6
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Year | Nature | Language
Year | Nature | Language
2 | Mandatory | Português
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Code
Code
ULHT6801-25272
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
General principles of dramaturgy. From Aristotle to contemporary narratives, evolution of dramatic structures. Writing for visual narratives versus literary writing. Space, action and characters. Writing and formatting an audiovisual script. Logline, Synopsis, Treatment and Script. Characterization of characters and internal relationships. Scene and sequence. Robert McKee and Blake Snyder, two visions of screenwriting. The Hero's Journey. Creating a script for a short film.
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Objectives
Objectives
This curricular unit provides an introduction to film writing. It should provide an introduction to the basic concepts of film and audiovisual writing, as well as models of writing and narrative structuring that can serve as a basis for future development.
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Teaching methodologies and assessment
Teaching methodologies and assessment
Use of the Active, Explanatory and Experimental Demonstration methods. Group work. Use of audiovisual and multimedia resources
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References
References
FIELD, Syd - SCREENPLAY - The Foundations of Screenwriting ( 1982) Dell Publishing McKee, Robert, (1997)Story: Style, Structure, Substance, and the Principles of Screenwriting. HarperCollins Snyder, Blake (2005) Save The Cat! The Last Book on Screenwriting You'll Ever Need. Ed. Michael Wiese productions Vogler, Christopher (2007) Writer'S Journey Mythic Structure For Writers Ed. Michael Wiese productions
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Office Hours
Office Hours
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Mobility
Mobility
No