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Presentation
Presentation
Core discipline for the development of practical work in the course. Acquiring knowledge of how to handle cameras, to capture images and sound are essential for the good development of learning throughout the course, such as how to manipulate lighting devices in the photography exercise. Learn how to use a professional camera in all its components - mastering the correct exposure of the image; mastery of capturing sound directly in the camera - use of microphones. Learn how to maneuver the camera in a recording situation - camera operation techniques and image composition. Learn how to use a camera to capture shots in a fictional environment. Acquire basic lighting knowledge
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 6
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Year | Nature | Language
Year | Nature | Language
1 | Mandatory | Português
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Code
Code
ULHT160-24596
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
Film Language. To operate a digital camera. Capturing image and sound To apply the use of camera to fictional content. - Lighting - Camera Operating. (Composition, movement) Workshop Blocking and crew work methodology.
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Objectives
Objectives
Apprehend the fundamental concepts of audiovisual terminology and applying it onto the exercises . Get solid knowledge in the handling of the Digital Video camera. To acquire abilities to interpret the final image in the technical domain and know how to control all parameters for correct exposure of the digital image. Image capture techniques for cinematography as a technique for covering scenes in a fiction film environment. Learning meaning and the symbology of the different shot sizes and camera movement to be applied in a fiction film making. Film language
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Teaching methodologies and assessment
Teaching methodologies and assessment
A strong practical component followed by theoretical instructions. Division of different groups between from class to class encourages greater interaction between students.
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References
References
Mercado, Gustavo (2022) The Filmaker's Eye - 2nd Edition Taylor & Francis Mascelli, Joseph V. (1998)- The Five C's of Cinematography - Motion Picture Filming Brown, Blain (2002) Cinematography Theory and Practice - Image Making for Cinematographers, Directors, and Videographers. Focal Press
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Office Hours
Office Hours
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Mobility
Mobility
Yes
