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Presentation
Presentation
This course aims to complement the theoretical and practical knowledge acquired during the course of the previous discipline of "Audiovisual and Film Creation Workshop II - Documentary" (1st Year, 2nd Semester), fundamentally by means of a thorough experimentation of the crafts involved in the creation and production of films within the documentary genre. At the same time, it is intended that students deepen analytical and critical skills regarding the film production within the documentary genre, thus encouraging their active participation in the discussion around a selection of reference documentaries that will be viewed and commented in class.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 6
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Year | Nature | Language
Year | Nature | Language
3 | Mandatory | Português
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Code
Code
ULHT160-24625
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
Analysis of the filmic discourse in the production of documentary genre. The use of interviews and archives in documentary film. The essayistic aspect of documentary film. Preparation and conducting of interviews both in the research and shooting phases. Ethical questions and decisions in relation to the intervening subject and the spectator. Notions of point of view, approach, representation, characterization and dramaturgy, work ethics in documentary. Strategies and methodologies to film people and situations as scenes. Project development: research and fieldwork methods, conceptualization, treatment, narrative structuring, project presentation. Technical and aesthetical aspects that intervene in the filming process, image and sound editing in the documentary. Follow-up of the implementation of practical exercises and tutorials on the semester projects.
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Objectives
Objectives
Understanding of the genre specificities, modes of expression and processes that are characteristic of documentary cinema. Development of critical analysis as spectator and practitioner of documentary film. Knowledge of the main technical and conceptual procedures involved in the making of documentary film. Ability to research and organize a project, develop and structure a narrative and expressive discourse from images and sounds obtained from the real. Knowledge of essential technical and aesthetical skills involved in the recording, editing and sounding of documentary film produced with small crews.
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Teaching methodologies and assessment
Teaching methodologies and assessment
The presentations of practical work developed and produced in the ambit of the course are open to the participation of teachers from other course subjects in the film BA. The programming of films to complement the classes includes sessions with guest directors, which promotes the sharing of knowledge and experiences aimed to inspire the students' artistic practices.
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References
References
BERNARD, Sheila Curran (2011) - Documentary Storytelling for Video and Filmmakers. Oxford: Focal Press. DANCYGER, Ken (2010) - The Technique of Film and Video Editing - History, Theory and Practice (5th edition). Oxford: Focal Press. MCLANE, Betsy A. (2012) - A New History of Documentary Film (2nd edition). New York: Continuum Books. NICHOLS, Bill (2010) - Introduction to Documentary (2nd edition). Bloomington: Indiana University Press. NICHOLS, Bill (1992) - Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press. PLANTINGA, Carl (1997) - Rhetoric and Representation in Non-Fiction Film (1st edition). Cambridge University Press. RABIGER, Michael (2009) - Directing the Documentary (5th edition). Oxford: Focal Press. RENOV, Michael (1993) - Theorizing Documentary. New York: Routledge Press. TOBIAS, Michael (1999) - The Search for Reality: The Art of Documentary Filmmaking. Studio City: Michael Wiese Productions.
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Office Hours
Office Hours
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Mobility
Mobility
Yes