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Presentation
Presentation
The course will deal with the fundamental subjects and the development of short fiction films projects, guided by different teachers. In general, through the course it is intended that students identify and develop formal areas of artistic and audiovisual creation, recognizing contexts and establishing relationships between artistic concepts applied to practice in the form of short films.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 6
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Year | Nature | Language
Year | Nature | Language
3 | Mandatory | Português
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Code
Code
ULHT160-24626
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
- Development of ideas and storylines. - Development of synopses. - Development of scripts. - Ongoing analyses of the realisation and production aspects of each project.
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Objectives
Objectives
Pedagogical criteria, methodologies, evaluation criteria: To enhance the tasks inherent in cinematographic creation in the context of a film project at the different stages of development. Appreciate the role of all the members of a group in the process of developing an idea through to its realization. Apply the concepts of film language in a practical context.
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Teaching methodologies and assessment
Teaching methodologies and assessment
Qualitative Assessment: Attendance, punctuality, participation and initiative. Teamwork, attitude; capacity for expression and creativity. Quantitative Assessment: Composed of challenges developed inside and outside the classroom. CHALLENGE #1 / 4 Storyline / College of Teachers - 20% CHALLENGE #2 / 4 Synopses developed / Teacher's College - 20% CHALLENGE #3 / 2 scripts / Teacher's College - 20% CHALLENGE #4 / choice of script to produce / College of Teachers - 20% INDIVIDUAL PROCESS* - 20% Approval in the discipline with an average of 10 values or more.
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References
References
• Hurbis-Cherrier, Mick. Voice & Vision: A Creative Approach to Narrative Filmmaking. Third edition, Routledge, Taylor & Francis Group, 2018. • McKee, Robert. Story: Substance, Structure, Style and the Principles of Screenwriting. 1st ed, ReganBooks, 1997. • Rabinger, Michael and Hurbis-Cherrier, Mick. Directing. 5th Edition, 2013 • Zettl, Herbert. 2006. Television Production Workbook. Belmont, Calif.: Wadsworth/Thomson Learning.
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Office Hours
Office Hours
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Mobility
Mobility
No