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Presentation
Presentation
This course is focused around documentary cinema: its history, its genres, its language and its contemporary production based on the language of animation.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Master Degree | Semestral | 3.5
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Year | Nature | Language
Year | Nature | Language
2 | Mandatory | Português
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Code
Code
ULHT2165-15906
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
1. History of documentary cinema 2. Documentary: genre or language? 3. The documentary effect in contemporary art 4. The animated documentary. 5. Film Language 6. Films' analysis
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Objectives
Objectives
This curricular unit aims to reflect on the practices of contemporary documentary cinema and to analyse the cinematographic language based on montage and metamorphosis. Its objectives are: - To reflect on the documentary enunciation in cinema and art. - To develop the documentary theme at the crossroads between animation cinema and the other arts. - To analyse a film through the language used - Identify and understand the documentary uses of the moving image; - Acquire and apply knowledge about the intersection of different forms of production of images in a documentary perspective - Apply animation in the context of cinematographic language
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Teaching methodologies and assessment
Teaching methodologies and assessment
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References
References
BRUZZI, Stella (2000). New Documentary. London: Routledge. COWIE, Elizabeth (2011). Recording Reality Desiring the Real. Minneapolis: University of Minnesota Press. FOSTER Hal (1996) The Return of the Real: The Avant-Garde at the End of the Century. Cambridge/MA: The MIT Press KRIGER, Judith (2012). Animated Realism. A Behind-the-Scenes Look at the Animated Documentary Genre. New York: Focal Press. MINH-HA, T. T. (1990). “Documentary Is/Not a Name”. October, vol. 52, Spring, pp. 76-98 MURRAY J. and Erlich, N. eds. (2019). Drawn from Life. Issues and Themes in Animated Documentary Cinema. Edinburgh: Edinburgh University Press NICHOLS, Bill (2001). Introduction to Documentary. Bloomington: Indiana University Press ROE, Annabelle Honess (2013). Animated Documentary. London: Palgrave Macmillan International Journal of Film and Media Arts. (http://revistas.ulusofona.pt/index.php/ijfma/issue/view/662)
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Office Hours
Office Hours
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Mobility
Mobility
No
