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Class Photographic Practices

  • Presentation

    Presentation

    The image in creative and communication contexts. Artistic photography and the genres of photography. Composition and analysis of photographic images. From conception to the realization of a photographic project. The camera, its functions and potentialities. Image capture with different camera types Develop the observation and identification skills of the photographic variables necessary to make a photograph. Understand and apply basic compositional principles, namely adapting focal lengths of lenses to precise objectives, viewing objects and people, analyzing images for their effect on the viewer. Understand photographic composition as an operation on a two-dimensional plane (with a suggestion of three-dimensionality) and learn to work with the structural elements of visual language. Fundamentals of digital imaging; concepts and practices. Creation of photographic projects: photographic reportage or thematic project.¿¿¿¿¿
  • Code

    Code

    ULP728-10509
  • Syllabus

    Syllabus

    Students are able to analyze and critique photographic images, to recognize the main techniques of image execution, the field of knowledge and aesthetics in which they fit and for which they are intended. They are also qualified to start a photographic project that supports a literary, artistic, documentary or journalistic narrative, fitting into the other creative disciplines of the course. In creating a practical environment, we will dive into the properties and characteristics of photography in all its aspects, and discover why we react in a technical way - to understand why there are so many options to choose from. Justify why the technique is at our service in this way. We will then list some features of studio digital.
  • Objectives

    Objectives

    The main objectives of this course are, that the student: Get analysis and criticism of photographic images. Acquire knowledge to situate an image in a given socio-temporal, economic and ideological context. That you acquire the technical skills to be able to carry out a photographic project. In its evolution in the semester it will gain the basic knowledge for the realization and presentation of a practical work of analogical and digital photographic research. Deepen the supported observation. Explore processes and instruments creatively. It is noteworthy that the mastery of equipment is closely linked to a mental structure that is based on knowledge through experimentation and study. Acquire and develop general skills in studio photography. Develop individualized forms of visual communication sustained in the photographic medium. Deepen the use of the photographic medium in order to give meaning in the "construction" of the image.
  • References

    References

    Amar, Pierre-Jean. História da Fotografia. Edições 70. Lisboa. 2001. Barthes, Roland. A Câmara Clara. Edições 70,  Lisboa, 2009. Bauret, Gabriel. A Fotografia: história, estilos, tendências, aplicações. Edições 70, Lisboa, 2000. Benjamin, Walter. Discursos Interrumpidos I. Ed. Taurus. Madrid, 1989. Frade, Pedro. Figuras do espanto. A fotografia antes da sua cultura. Porto, Asa, 1992. Freund, Gisèle. Fotografia e sociedade. Lisboa, Vega, 1995. Frizot, Michel. A New History of Photography. Verlag Köneman. Colónia, 1998. Langford, Michael. Fotografia Básica. Dinalivro. Lisboa, 1996. Misselbeck, Reinhold. Fotografia do Século XX. Taschen, 2008. Livro de bolso. Sena, António. Uma História de Fotografia. Lisboa, Imprensa Nacional, 1991. Sena, António. História da Imagem Fotográfica em Portugal ¿ 1839-1997. Porto, Porto Editora, 1998. Siza, M. Teresa; Weiermair, P. Livro de viagens. Fotografia Portuguesa 1854-1997. Edition Stemmle, 1997.  
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