filmeu

Class Audiovisual Creation Project

  • Presentation

    Presentation

    The aim of this course is to accompany students through the process of transforming a script into audiovisual narrative content (fiction and non-fiction). Thus, the practical application of concepts and methodologies involved in the production of fictional and non-fictional genres is promoted, integrating the various stages of production, within the scope of the final short film projects of the degree. The main aim of this curricular unit is to provide students with advanced project and program management skills in the context of audiovisual and cinematographic production, equipping them with skills specific to film production, going through the different stages of production and realization of an audiovisual and cinematographic product in practice.
  • Code

    Code

    ULP728-25088
  • Syllabus

    Syllabus

    Image capture techniques for a cinematographic narrative as well as scene coverage techniques for a fiction and non fiction film. The meaning and symbolism of the various shots and camera movements to be applied in film production, whether fiction or non-fiction. 1. The short film in process Fiction and Non-Fiction. Case studies. 2. Preparing for the shoot: Planning and analyzing the key aspects of ongoing film projects. 3. Preparation for the shoot: Planning to be presented by the directing and production teams to the work files of the other artistic specialties involved. 4. Preparing for the shoot: Monitoring work prior to the shoot. 5. Shooting: Monitoring the work during the shooting period. 6. Editing and Post-Production: Monitoring work in progress. Translated with www.DeepL.com/Translator (free version)
  • Objectives

    Objectives

    The objective of this curricular unit is to accompany the students from the script to its transformation into a audiovisual narrative. Practical application of concepts and methodologies involved in the production of fictional genre integrating the various specialties of cinematographic and audiovisual creation within the scope of the projects of the final short films of the degree.
  • References

    References

    KATZ, Steven D. (1991) - Film Directing Shot by Shot: Visualizing from Concept to Screen. Studio City: Michael Wiese Productions / Focal Press KATZ, S. D. (2004) - Film Directing: Cinematic Motion, (2nd edition). Studio City: Michael Wiese Productions / Focal Press LUMET, S. (1996). Making Movies. First Vintage Books  MAMET, D. (1992). On Directing Film. Penguin Books  MARTIN, M. (1993) A linguagem cinematográfica. Editora Itatiaia 
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