filmeu

Class Principles of Sound Design: Capture and Mixing

  • Code

    Code

    ULHT160-24598
  • Syllabus

    Syllabus

    Theory: - Foundations of audio for image; - Introduction to audio for image; - The soundtrack; - The processes: from recording to audio post-production; - Introduction to production sound recording; - Production and design of cinematographic sound environments; - Introduction to audio post-production: editing and mixing in Pro Tools. Practice: - Exercises carried out in a group to capture sound; - Production and design of stereophonic soundscapes; - Development of intentions through recording practices; - Production, editing and mixing of sound for image.
  • Objectives

    Objectives

    - Develop and enhance students techniques, creativity and critical thinking in the production and design of original soundtracks for film; - Understand the artistic-technical process of sound for image, from its recording to the audio post-production; - Provide vocabulary that favors communication and the articulation of ideas about the soundtrack for a film; - Boost individual skills regarding designing sound through development and production strategies, serving the artistic object; - Optimize strategies and aesthetics adapted to conceptual and procedural approaches in audio post-production.
  • References

    References

    Kalinak, K. (2015) Sound: Dialogue, Music and Effects [Rutgers University Press] Monaco, J. (2014) How To Read A Film [Oxford University Press, Inc.] Scott-James, K. (2018) Sound Design for Moving Image: From Concept to Realization [Bloomsbury Academic] Yewdall, D. L. (2012) Practical Art of Motion Picture Sound [Focal Press, 4ed.  
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