Class Film Communication

1: Advertising and Institutional component. Agreement between the University and the Council of Europe for the production of social videos. 2: Production of an experimental film project of 7 to 10 minutes based on the theme "Money". 3: Analysis of films from counterculture, experimental cinema, video art and visual arts. Practical exercises and an experimental film based on authors studied in groups.

Not applicable

1: Analysis of the client's briefing; Project presentation; Pre-production of the PPM Spot; Production; final editing. 2: Presentation of experimental films from the history of cinema, particularly the avant-garde. Weekly tutorials to frame the regular development of projects. 3: Analysis of reference films from contemporary artistic culture. Practical exercises.

1: Creation of a project in accordance with the client's briefing, in this case the Council of Europe. 2: The student has complete freedom of formal and narrative choice in the process of preparing and producing the short film. 3: Procedural and simultaneous work between theory and practice, with the viewing of exercises and critical and self-critical analysis in class.

Cury, Ivan (2004) TV Commercials: How to Make Them: or, How Big is the Boat? 1ª ed UK Routledge Vogel, Amos (2005). Film as a Subversive Art. Nova Iorque: Artbook D.A.P. AUMONT, Jacques (2008), Les théories des Cinéastes, Paris, Editions Nathan/Armand Collin. MITRY, Jean (2001), Esthétique et Psychologie du Cinéma, Paris, Les Éditions du Cerf.