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Class Art, Culture and Communication

  • Presentation

    Presentation

    This CU critically discusses concepts of culture in its relation to communication and the arts. From anthropological definitions of culture to sociological definitions of the cultural field as connected to artistic practices (high and low culture, mass culture, network culture), the place of these practices in contemporary interconnected societies and the power of artistic representations in both the legitimation of hegemonic and counter-hegemonic narratives is debated. The debate on the definitions of the artistic object is brought to contextualize the critical role that has been attributed to contemporary arts. Some examples of feminist and post-colonial criticism in the arts are mobilized for this purpose.
  • Code

    Code

    ULHT24-1671
  • Syllabus

    Syllabus

    Definitions of culture:  Anthropological notion of culture  Cultural studies, language and the media. The ‘cultural turn’: Stuart Hall and the school of Cultural Studies.  Art and feminism: The ‘art without history’ of women artists Gender representations in art Rethinking the colonial heritage: reparations policies in Europe Sociological notion of culture: cultivated, popular and mass; high and low culture;   Culture industries  The convergence of art, culture and communication: The transformations of art through technical reproducibility The contemporary media environment and the new ‘imaginary museums’.  Cultural marketing in the digital context.  Part II - Art issues  Definitions of art The contemporary art system: cultural management issues  
  • Objectives

    Objectives

    Learn how to discuss the configurations of the notion of culture Learn how to identify the artistic phenomenon as a cultural phenomenon Learn some aspects of cultural and arts management practices Learn some cultural marketing strategies in the digital environment Reflect on emerging themes in culture, the media and the arts, namely gender studies and post-colonial studies.
  • References

    References

    BARRANHA, H., MARTINS, S. S. E PINTO RIBEIRO, A. (Ed.). 2015. Museus sem lugar. Ensaios, Manifestos e diálogos em rede. Lisboa: Edição do IHA, UNL.  HALL, S., ed. 2003. Representation: Cultural Representations and Signifying Practices. London, Thousand Oaks and New Delhi: Sage Publications.  KOTLER, N. G., KOTLER P. e KOTLER, W. Y.. 2008. Museum Marketing and Strategy. Designing Missions, Building Audiences and Generating Revenue and Resources. San Francisco: Jossey-Bass Edition. LIMA DOS SANTOS, M.L., “I. Questionamento à volta de três noções” in MELO, Alexandre (Org.), Arte e Dinheiro, Lisboa, Assírio & Alvim, 1994, pp. 101 - 120.  OAKLEY, K.; O’CONNOR, J.(org.) (2015). The Routledge Companion to the Cultural Industries. Oxon and New York, Routledge. D’OREY, Carmo (1990). «O que é a arte?» ou «Quando há arte?». Revista Análise, nº 14, Imprensa Nacional Casa da Moeda. MELO, Alexandre (2001). As três dimensões do sistema. In: Arte. Lisboa, Editora Quimera,  pp. 29-52.
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