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Presentation
Presentation
- Understand technical and artistic resources in the context of post-production editing. - Know how to plan and define projects and work methods in the field of assembly and post-production. - Understand the grammar of video editing and post-production. - Expressively use the different content learned. - Use editing and post-production software updated to professional requirements
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 4
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Year | Nature | Language
Year | Nature | Language
2 | Mandatory | Português
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Code
Code
ULHT613-17037
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
Editing and Post-production: Technical fundamentals. - Theory and practice of cinematographic editing. - Introduction to the conceptual and artistic component of the editing process. - Practical development of editing film sequences. - Fundamentals of editing and post-production software - Color correction - Masks - Effects - Stabilization and tracking
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Objectives
Objectives
- Use cinematographic language as a narrative tool. - Identify the basic elements common to each of the assembly programs. - Recognize processes, techniques and mechanisms for post-production work. It is intended that students: - know the social, human and historical variables of this work; - develop their analysis and criticism skills; - be able to select the best technological tools for the artistic content they seek to develop.
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Teaching methodologies and assessment
Teaching methodologies and assessment
Carrying out multidisciplinary work. Application of the Project Based Learning methodology.
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References
References
Byrne, B. (2009) The Visual Effects Arsenal: VFX Solutions for the Independent Filmmaker, Burlington, Elsevier. Carvalho, Jorge (2003) Cinema e Tecnologia Pós-Produção e a Transformação da Imagem, Lisboa, Edições Universitárias Lusófonas. Dancyger, Ken (2002) The Technique of Film and Video Editing: History, Theory and Practice, Focal Press. Ganbar, Ron (2011) Nuke 101- Professional Compositing and Visual Effects, Peachpit Press, Berkeley. Luz, Filipe (2012) Tutoriais de pós-produção in http://movlab.ulusofona.pt/ Mazzoleni, Arcangelo (2002) O ABC da linguagem cinematográfica, Edições cine-clube de Avança.
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Office Hours
Office Hours
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Mobility
Mobility
Yes
