filmeu

Class Audiovisual Production Lab I

  • Presentation

    Presentation

    The UC aims to explore technical and conceptual solutions that enhance the development of differentiating audiovisual content in the context of Fashion, with a special focus on the creation of Fashion Films for dissemination on social networks.
  • Code

    Code

    ULHT6277-22996
  • Syllabus

    Syllabus

    1. Technical and conceptual fundamentals that enhance the development of differentiating video content in the field of Fashion: - Idealization and planning of fashion films; - Sound and image editing (montage); - Realization and direction of photography; - Group dynamics in a film project; - Video as a differentiating factor in the launch of a fashion collection; - Interdisciplinary vision of audiovisual production. 2. Fundamental techniques and tools associated with hardware-software package necessary for the production of video content for dissemination on social networks;  3. Practical project: fashion film for presentation of fashion collection concept.
  • Objectives

    Objectives

    At the end of the semester students should be able to: - Design and plan, with identification of the respective technical support, concepts that enhance differentiation in the scope of video communication for Fashion; - Apply with resourcefulness hardware-software package techniques and tools necessary for the production of video content for dissemination on social networks; - Understand and apply principles of image and audio editing, directing, photography and production; - Apply solid creative, conceptual and technical skills in the proposed practical projects.
  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    This is a theoretical-practical course that combines lectures on the syllabus with exercises on the hardware-software package needed to produce video content. Over the course of the semester, practical projects will be developed in groups of three and monitored in class. Assessment is continuous and is based on the laboratory development of a Fashion Film in groups of 3 students with a rotation of tasks - director, camera assistant and production assistant - and an individual exercise. Work will only be accepted for assessment when it is handed in on the due date. Translated with DeepL.com (free version)
  • References

    References

    Mercado, G. (2019). The filmmaker's eye: The language of the lens. Routledge. Murch, W. (2005). In the Blink of an Eye. Silman-James Press,  Chion, M. (2009). Film: A Sound Art. New York, Columbia University Press.  Soloaga, P., Guerrero, L. (2016). Fashion films as a new communication format to build fashion brands. Communication & Society. 29 (2), 45-61.
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