Class Sound Editing: Studio Techniques

The Curricular Unit is part of the general training plan in Sound Editing of the degree and its main objectives are to provide students with a set of advanced knowledge on the editing and mixing of sounds and music in a digital environment, technical mastery of work tools in sound and music production software, such as equalization, spatialization, effects, stereo, compression, reverb, delays, dynamic processing and final mixing techniques, always in a studio environment. It is intended that students develop work on projects for cinema, using multichannel mixing techniques - Surround 5.1.

Not applicable

Practical Module      Advanced Techniques for Working in a Studio Environment      Techniques for Creating Multichannel Projects      Advanced Techniques for Editing Music and Sound for Image      Advanced techniques for using plug-ins, equalization, dynamic processing, reverb and delays      Recording Recovery in Bad Condition      Noise Extraction      Exports and Deliveries for different Media      Pre-Mastering Notions

Critical analysis of recognized works, focusing on the semiotics and aesthetics of sound. Carrying out practical exercises combined with theoretical methodologies and critical analyzes worked on in class.

GOTTLIEB, Gary (2007) - Shaping Sound in the Studio and Beyound: Audio Aesthetics and Technology. Boston: Delmar. LANGFORD, Simon (2013) - Digital Audio Editing - Correcting and Enhacing Audio in ProTools, Logic Pro, Cubase e Studio One, Focal Press PURCELL, JOHN (2013) - Dialogue Editing for Motion Pictures - A Guide to the Invisible Art, Focal Press BARLETT, Bruce (2009) - Pratical Recording Techniques, Burlington, Focal Press. FONSECA, Nuno (2006) - Introdução à Engenharia do Som, Lisboa, Lidel.