Class Appropriation of Archive Film Footage: Creative Memory

Practice of the vitality of the archive not as an inert documentation, but as a creative material for analysis and art practice in a way that the documented events the archive refers do not fall into oblivion, in a way that they will be constantly activated.

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Demonstrac¿a¿o da coere¿ncia dos conteu¿dos programa¿ticos com os objetivos de aprendizagem da unidade curricular Evidence of the syllabus coherence with the curricular unit¿s intended learning outcome Metodologias inovadoras de suporte ao processo de ensino-aprendizagem Innovative methodologies to support the teaching-learning process Demonstrac¿a¿o da coere¿ncia das metodologias de ensino com os objetivos de aprendizagem da unidade curricular 1. Introduction: the archival turn 2. The archive as a living organism 3. The traces of time: the ?found footage? 4. The archive as main material for artistic creation 5. The use of the archive to animate and perform possible futures 6. Analysis of examples: Harum Farocki, Jean-Luc Godard, Bill Morrison, Peter Delpeut, Gustav Deutch, Peter Tcherkassy, Pietro Marcello ... Practice Elaboration of a essay-film / fiction or documentary with audio visual material from archives.

Working with the system of challenges presented in the classroom.

BEAUVAIS, Y. (2003). Films d?archives. 1895, 41, pp. 57-70 DERRIDA, J. (2008). Mal d?Archive. Paris: Galile¿e DOANE, M.A. (2002). The Emergence of Cinematic Time: Modernity, Contingency and the Archive. Cambridge MA: Harvard University Press FOSSATI, G. ed. (2012). Found Footage, Cinema Exposed. Amsterdam: Amsterdam University Press FOSTER, H. (2004). An Archival Impulse. October, 110, pp.4-5 Gil, I. (2012), ?Desfiguracao e Transfiguracao: da pintura de Francis Bacon aos filmes de Bill Morrison?, Caleidoscopio, Vol. 11/12. Ed. Lusofonas, pp. 271-280. FOUCAULT, M. (2005). A Arqueologia do Saber. Coimbra: Almedina JONG, F.D. (2016). At work in the archive: introduction to special issue. World Art, 6 (1), pp. 3-17 SIMON, S. (2002). Introduction: Following the Archival Turn. Visual Resources, 18, pp 101-107 VIVEIROS, P. (2018). A Work of Chaos: Gianluigi Toccafondo?s Animated Paintings. Cinema: Journal of Philosophy and the Moving Images, 10, pp. 97-110