filmeu

Class Creation and Scientific Research Methodology

  • Presentation

    Presentation

    Methodologies for cinematographic and artistic research, critical analysis, and scientific writing. Introduction to the work of authors in cinema: masterclasses and case studies.
  • Code

    Code

    ULHT501-25946
  • Syllabus

    Syllabus

    I. 1. The foundations of dissertation work (theoretical research) 2. The foundations of critical report writing (papers) 3. Methodology as a guide for research 3.1 Defining the scope of research 3.2 Setting the direction of research 3.3 Building analysis models 3.4 Organising research II. 1. Introduction to filmmaking: the work of authors 2. Contexts, values, ideas and challenges 3. Finding, cultivating and challenging talent 4. Understanding the director's vision: Cast, theme, story, style and technology 5. Viewings III. 1. Visual music, audio-visual performance, experimental film, expanded cinema 2. Perceptual effects of conclusive and inconclusive audio-visual relationships. Relationships of dominance between vision and hearing 3. Questioning and case studies IV. 1. Introduction to creative project development: cinema and series
  • Objectives

    Objectives

    This course aims to provide students with critical tools that enable them to develop rigorous methodological thinking appropriate to the work to be carried out, whether in the development of fieldwork or in individual creative processes in cinema and audiovisual media (writing and directing): 1. Critical and operational overview of the fields of applied scientific work in the context of film studies. 2. Ability to design a working method in the context of research in film studies. 3. Perspective on film practice as research.
  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    Theoretical exposition and applied theory, with case studies. Assessment will be based on attendance, participation in sessions, and discussion of the topic or subject, bibliography, and working documents (50%). Students will have to present and justify in writing (minimum of 5000 characters) a research proposal (for a dissertation, critical report, or object construction) (50%). All teachers will evaluate this proposal.
  • References

    References

    — BALKEMA, Annette e SLAGER, Henk (ed.) (2004). Artistic Research. Amesterdão: Editions Rodopi B.V. — BAUER, M. W. e GASKWELL, G. (2000). Pesquisa Qualitativa com Texto, Imagem e Som. Um Manual Prático. Tradução de Pedrinho A. Guareschi. São Paulo: Editora  Vozes (7ª edição, 2008) — BORDWELL, D. e CARROLL, N. (ed.) (1996). Post-theory: Reconstructing film studies. Madison: University of Wisconsin Press — CARMO, H. & FERREIRA, M.M. (2015). Metodologia da investigação: guia para autoaprendizagem. Lisboa: Universidade Aberta, 3a edição em formato e-book — CURRIE, G. (1995). Image and mind: Film, philosophy and cognitive science. Cambridge: Cambridge University Press
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