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Presentation
Presentation
The Creative Processes course introduces students to the main creative processes used in Communication and Advertising, encompassing the main idea-generation techniques applicable to the various media used by brands in their global communication strategies. This course is relevant to the Bachelor's Degree in Applied Communication: Marketing, Advertising, and Public Relations, as it provides students with the opportunity to learn and apply the main creative techniques and develop their creativity in the field of Communication and Advertising.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 4
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Year | Nature | Language
Year | Nature | Language
2 | Mandatory | Português
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Code
Code
ULHT168-7050
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
Program Contents (PC): 1.- Theoretical Framework on Creativity. 1.1- Definition of Creativity and its Importance in the Communication Context. 2- The Creative Process. 2.1- Definition of the Creative Process. 3- Inhibitors and Facilitators of the Creative Process. 4- Stages of the Creative Process. 4.1- According to the Authors Graham Wallas, James Young, and Don Fabun. 5- Idea Generation Techniques. 5.1- Brainstorming, Six Hats, Checklist, among others. 6- Application of the Stages of the Creative Process and Idea Generation Techniques. 7- Development of Practical Projects where the creative process is applied to the product (Project 1) and to the brand (Project 2).
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Objectives
Objectives
The Creative Processes course aims to enable students to acquire knowledge in the area of ¿¿creativity directed at different communication and advertising media and develop skills in identifying and applying the Creative Processes necessary to develop a creative concept and its execution according to the type of work to be developed. The course objectives enable students to: O1 - Understand the concept of creativity. O2 - Identify the stages of the creative process. O3 - Identify and use the main idea generation techniques in the development of communication and advertising projects. O4 - Apply the stages of the creative process and idea generation techniques to practical projects such as advertising communication pieces and advertisements, as well as to communicaion supports used in public relations.
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Teaching methodologies and assessment
Teaching methodologies and assessment
The course is theoretical and practical and includes lectures to present the program content using audiovisual elements (Teaching Methodology 1-TM1). Creative projects are developed in a classroom equipped with a PC and software. This approach allows students to develop work habits similar to those they will face in the job market, where teamwork and team spirit, as well as the development of creativity associated with finding solutions, are important and necessary. This course is based on the Project-Based Learning (PBL) methodology (Teaching Methodology 2-TM2), which integrates different types of knowledge and fosters the development of skills by seeking solutions to real-world problems. These skills emerge through the development of projects related to the program content, allowing for control over the learning and skills acquired.
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References
References
Amabile, T. M. (2019). The Art of (Creative) Thought. The Creativity Reader , (pp. 15?32). Oxford University Press. Baack, D. W., Wilson, R. T., Van Dessel, M. M., & Patti, C. H. (2016). Advertising to businesses: Does creativity matter?. Industrial Marketing Management , 55 , 169-177. https://doi.org/10.1016/j.indmarman.2015.10.001. Breva, E.; Lopes, P.; Balado, A. (2014). La creatividad en el medio exterior del sector de la telefonía móvil: análisis en España y Portugal. Anàlisi . Quaderns de Comunicació i Cultura, 51, págs. 17-34. DOI: http://dx.doi.org/10.7238/a.v0i51.2006. Rossiter, J. R. (2022). Creativity in advertising: how to test for highly creative individuals, how to generate alternative creative ideas, and how to pretest them. Journal of Current Issues & Research in Advertising , 43 (2), 123-136. https://doi.org/10.1080/10641734.2021.2010245.
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Office Hours
Office Hours
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Mobility
Mobility
No