Class Cultural Heritage II: Portuguese Cinema

In our introduction to Portuguese cinema, we will focus on the aesthetic analysis of forms and tendencies. We are interested in the aesthetic values that affirm it, both internally and in relation to the state of the cinema in the world. Considering the lines of creation, the authors, and the films to be discussed, as well as the existing written thought about it, we seek to find concepts that may correspond to what the films present, identifying and envisaging effective and possible creative paths in the present. Participation in the Cineclub (some films) will provide the experience of screening films in the cinema room, as well as contact with artists and aspects of the cinematographic production in Portugal.

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I. Introduction - The "movements" of Portuguese cinema a) the "Portuguese comedy" of the 30s and 40s and the great exception b) the "new cinema" of the 1960s and the "authors' revolt" c) international recognition (70s) d) new lines of creation   II. Exemplary origins of Portuguese cinema - "Douro, Faina Fluvial" (Manoel de Oliveira, 1931) and "Jaime" (António Reis, 1974)   III. Some authors, some focal films - A semestral choice of authors and films   IV. Semestral Cineclub (6pm)

Being a subject of cultural and aesthetic formation, the contact with the works in their entirety, in the context of the Cineclub, provides an experience that is necessary in school today, particularly in the scientific-artistic areas of the image-mouvement.

BÉNARD DA COSTA, João (1991). Histórias do Cinema Português. Lisboa: IN-CM FIGUEIREDO, Nuno e GUARDA, Dinis, Org. (2004). Portugal: Um retrato Cinematográfico. Lisboa: Número Arte e Cultura NICOLAU, João, Org. (2005). João César Monteiro. Lisboa: Cinemateca Portuguesa-Museu do Cinema PINA, Luís de (1986). História do Cinema Português. Lisboa: Publicações Europa-América TURIGLIATTO, Roberto, Org., com a colaboração de Simona Fina (1999). Amori di Perdizione. Stori di Cinema Portoghese 1970-1999. Torino: Edizioni Lindau