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Presentation
Presentation
In a context of profound transformation of the dynamics of Cinema and Audiovisual distribution and exhibition, it is essential to provide students with skills that allow them to define appropriate promotion and distribution strategies depending on the nature and objectives of each project .
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 5
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Year | Nature | Language
Year | Nature | Language
3 | Optional | Português
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Code
Code
ULHT160-24628
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
1. The centrality of Distribution 2. Value chain; Marketing Mix; Segmentation, Targeting and Positioning. 3. Types of Distribution: Majors and Independents; Main Stream and Art House; Theatrical and Non Theatrical); Home Video; Characterization of Digital Distribution: OTT, VOD, SVOD; FVOD; AVOD; Digital Platforms: Netflix, Filmin, Mubi, Vimeo; YouTube...;\ Dominant European models of Funding and support 4. Promotion Instruments: Synopsis; Note of Intent; Character Description; Poster; Teaser, Trailer; EPK; Press-Release; Press Junket; Press Conference 5. Festivals and Markets: differences, strategies and linkages: Sundance, Cannes, AFI, Busan, Locarno, Shanghai, Toronto, Berlin.. 6. Distribution and Internationalization: the central role of Sales Agents 7. Monetization Strategies and Business Structures 8. Ancillary Rights and Revenues: merchandising, video games, hotels, pay-per-view; Trains, Boats and airlines 9. Digital Marketing: Big Data, AI, and Data Literacy
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Objectives
Objectives
The UC thus has as objectives: - Introduce the concept of value chain and its importance for the understanding of the process and articulation of creation, financing, production, distribution, exhibition / diffusion (theatrical, Homevideo, cable, streaming; Broadcast). - Describe and discuss the different elements and agents of the value chain, stages of creation, production and distribution of value; - Introduce the concept of platform and different distribution models and its articulation with the upstream financing of a project. - Explore the importance of intellectual property management and definition of monetization models in the context of a digital media economy.
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Teaching methodologies and assessment
Teaching methodologies and assessment
Through the students Challenges of Research and Analysis of promotional materials and other development and promotion instruments (distribution release patterns and scope, etc,) get a bigger picture of the value creation strategies of the various agents, distributors, sales agents, along the value chain.
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References
References
Ulin, Jefrey, The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. London: Routledge. 2019 Kirkpatrick, Scott, , Introduction to Media Distribution: Film, Television, and New Media, London: Routledge. 2018 Lieberman,Al ; Esgate, Patricia - The definitive guide to entertainment marketing : bringing the moguls, the media, and the magic to the world / . - 2nd ed., Upper Saddle River : Pearson, 2014. - ISBN 978-0-13-419467-7. Epstein, Edward Jay - The Hollywood economist 2.0 : the hidden financial reality behind the movies New York : Melville House, 2012. ISBN 978-1-61219-050-1. Kotler, Philip; Kartajaya,Hermawan; Setiawan, Iwan - Marketing 5.0 : tecnologia para a humanidade / Philip Kotler, Hermawan Kartajaya, Iwan Setiawan ; trad. Carla Pedro. - Lisboa : Actual, 2021. ISBN 978-989-69-4600-5 Vany, Arthur De - Hollywood economics: how extreme uncertainty shapes the film industry.London; New York : Routledge, 2004. ¿
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Office Hours
Office Hours
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Mobility
Mobility
Yes