Class Processes of organisation of film discourse: Editing

The creative practice of film editing.

Not applicable

Editing and the Documentary. Editing methods for documentary films. Editing theory for documentary film.  Editing workflows using DaVinci Resolve and Adobe Premiere Pro Proxies and synchronisation. Organising projects and tracks Export for video and audio post-production. Other outputs.

Teaching methodology orientated towards conceptual knowledge, critical analysis skills and artistic and creative research processes in the context of film editing.  Theoretical knowledge is complemented by the practice of challenges using various materials with a focus on documentary editing and the processes of preparing for editing, as well as with processes of accompaniment and mentoring around the projects that the students are developing. Assessment model geared towards evaluating the ability to acquire competences. The final grade combines five exercises related to the editing process:  Conversion, synchronisation and material organisation - 20% Scene editing analysis - 20% Short documentary editing - 20% Sequence editing - 20% Exporting to various outputs - 20%

Bordwell, David; Thompson, Kristin (2008), Film Art – An Introduction, McGraw Hill. 978-0073535104 Bricca, Jacob (2017), Documentary Editing: Principles & Practice, Routledge. 978-1138675735 Jago, Maxim (2024) Adobe Premiere Pro Classroom in a Book 2024, Adobe Press. 978-0138318567 Murch, Walter (2001) In the Blink of an Eye: A Perspective on Film Editing, Siman-James Press. 978-1879505629