filmeu

Class Transtextualities

  • Presentation

    Presentation

    Global and disciplinary approach to the relationships between fields of creation - text, image, sound, performing arts - and the formal, semantic and political relationships they establish between them in modernity and in the present.
  • Code

    Code

    ULHT722-14661
  • Syllabus

    Syllabus

    Notion of transtextuality The function of images and texts (comparison).  The transversal forms of creation Multitextuality, intertextuality and transtextuality.  Hypertext: transfers and transpositions, palimpsest Syncretic and aesthetic regimes Transposition regimes and contemporary disciplinary contaminations.
  • Objectives

    Objectives

    Recognize the various modes of interaction between artistic fields that constitute the contemporary art system and recognize the different contemporary practices and artistic areas of intervention, multidisciplinary, interdisciplinary and transdisciplinary.
  • Teaching methodologies and assessment

    Teaching methodologies and assessment

    Viewing contemporary art works in class and participating in the GREAT ARTISTS ON CAMPUS talk cycle analyzed comparatively in class.Viewing contemporary art works in class and participating in the GREAT ARTISTS ON CAMPUS talk cycle analyzed comparatively in class.
  • References

    References

    BABO, M. A. (1993). A escrita do Livro. Lisboa: Vega. BARTHES, R. (2004). O Rumor da Língua. S. Paulo: Martins Fontes BERGER, J. (1980). Modos de ver. Lisboa: Ed.70. BERGER, J. (2003). Sobre o olhar. Barcelona: Gustavo Gili. BERTHET, D. (1998). Art et appropriation. Point-à-Pitre: Centre d' Etudes et de Recherches en Esthétiques et Arts Plastiques EVANS, D. (2009), Appropriation. London: Whitechapel; Cambridge: The MIT Press. FOUCAULT, M. (1988) Isto não é um cachimbo. Rio de Janeiro: Paz e Terra. FOUCAULT, M. (1992). O que é um autor?. Lisboa: Vega GENETTE, G. (1997), Palimpsests: Literature in the Second Degree (Stages). University of Nebraska Press. GENETTE, G. (1986). Introdução ao arquitexto. Lisboa: Vega. GIL, J. (2005). Sem Título. Lisboa: Relógio d'Água. HUTCHEON, L. (1985). A Theory of Parody. The Teachings of Twentieth-Century Art Forms, N.Y. and London: Methuen LIPMAN, J., MARSHALL, R. (1978). Art about Art. NY: Whitney Museum "  
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