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Presentation
Presentation
The Communication Design IV course focuses on the development of projects in the field of editorial design, with an emphasis on the design of newspapers, books, magazines, and brochures. It aims to equip students with the skills to understand, design, produce, and present editorial projects, combining practical application with methodological rigor. It values mastery of graphic architecture, text, and image, as well as the ability to argue and defend design choices. The course also promotes individual and collective critical analysis skills, preparing graduates to join teams in design studios, publishing houses, and graphic departments of newspapers and magazines, with creativity, professional awareness, and adaptation to the demands of the job market.
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Class from course
Class from course
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Degree | Semesters | ECTS
Degree | Semesters | ECTS
Bachelor | Semestral | 8
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Year | Nature | Language
Year | Nature | Language
3 | Mandatory | Português
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Code
Code
ULP729-3694
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Prerequisites and corequisites
Prerequisites and corequisites
Not applicable
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Professional Internship
Professional Internship
Não
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Syllabus
Syllabus
1. Editorial Design 1.1. Study and development of editorial projects in different types of publications (newspapers, books, magazines, brochures) aimed at diverse audiences and age groups; 1.2. Design and application of editorial navigation grids and systems and principles of readability – information hierarchy, visual focus, eye movement sequence; 1.3. Typography and image as structuring elements of editorial communication; 1.4. Relationship between verbal and non-verbal elements in graphic space: coherence, clarity, and communicational adequacy.
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Objectives
Objectives
The course focuses on developing projects in editorial design, aiming to equip students with the skills to understand, design, produce, and present work that combines practical application with methodological rigor. Students will explore the theoretical and practical foundations of editorial design across various publication types—such as newspapers, books, magazines, and brochures—adapted to different audiences. Emphasis is placed on mastering graphic architecture, including formats, grids, and spatial organization. By the end of the course, students will be able to structure and present comprehensive editorial projects based on legibility, visual hierarchy, graphic coherence, and suitability to function and target audience.
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Teaching methodologies and assessment
Teaching methodologies and assessment
Blended methodology combining theory and practice, using lectures and case-study approaches (projects, open classes, field trips). Continuous assessment with three projects, evaluated against defined criteria: 1. Exercises applying each program content; 2. Practical projects simulating market reality; 3. Submission of an initial brief for each exercise, including objectives, methods, bibliography, schedule for the different phases of work, presentation date(s), and intermediate and final assessments; 4. Each project is guided by at least one intermediate assessment and one final assessment with an oral presentation in class. The oral presentation of projects, followed by peer discussion, aims to stimulate students' argumentative skills, preparing them for dialogue with potential clients. Weightings: Ex.1 (40%); Ex.2 (25%); Ex.3 (35%). Several absences exceeding 30% of the total teaching hours will fail the course unit (except for students with worker-student or athlete status).
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References
References
Ambrose, G.; Harris, P. (2015). The Layout Book. Bloomsbury Publishing. Bringhurst, R. (2005); Elementos do estilo tipográfico. Cosac Naify Garcia, M. (2002). Pure Design. Miller Media. Garcia, M. (1993). Contemporary Newspaper Design: A Structural Approach. Pearson College Div. Harrower, T.; Elman, J.M. (2012). The Newspaper Designer’s Handbook (7th ed.). McGraw-Hill. Hochuli, J. (1997). Designing Books. Hyphen Press. Itten, J.(2009). Art de la Couleur. Edition Abregée, Dessain et Tolra Male, A (2017). The power and influence of illustration. Achieving impact and lasting significance through visual communication. Bloomsbury Visual Arts. Muller-Brockmann, J.(1996). Grid systems in graphic design: A visual communication manual for graphic designers. Niggli Verlag Quinn, S. (2007). Eyetracking the News. Poynter Institute for Media Studies. Scalera, B. (2011). Creating Comics from Start to Finish: Top Pros Reveal the Complete Creative Process. Impact Books.
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Office Hours
Office Hours
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Mobility
Mobility
No