Class Dramatic Reading Workshop VI

. Deepening the taste for reading, in a strict and broad sense, demonstrating the importance of this in the organization of thought and action and for the development of attention and concentration. . Understanding the relevance, specificity and scope of the reinterpretation of the classics by contemporary playwrights, discussing whether all contemporary theater is Post-dramatic. . Reinforcement of the internalization of the student's idea as an interpreter, functioning as a catalyst for creativity and creation.  

Not applicable

  1. Theoretical-Methodological questions about the re-reading of classics by contemporary authors: Interrogations around the concepts of Classical and Canon. Dialogism, Intertextuality and Architext. Memory (Historical and Historiographical) and Theater. The concept of file. Theater and Literature. Discussion of the limits of the biographical and the autobiographical in dramaturgy and dramatic reading. Is all contemporary theater Post-Dramatic?     2. Re-reading of Classics by the Contemporary Theater (Antígona, by Sophocles and As Phoenicians, by Euripides) 2.1 Perdição: Exercise on Antígona, by Hélia Correia (time, contexts, texts, representations 2.2 Death in Thebes, by Jon Fosse (time, contexts, text, representations). 2.3.The rest should already know about Cinema, Martin Crimp (time, contexts, text, representations)      

Action-research based on solving problems raised by theory and on increasing Conference-Performance

    BAKHTIN, Mikaíl. The Dialogic Imagination. Four Essays. Austin: University of Texas Press, 1990. CAMATI, Anna Stegh. Vozes narrativas no espaço Cênico: o Pós- Dramático em (A)tentados, de Martin Crimp. In Artefilosofia, n.7, Ouro Preto, Outubro de 2009, pp.158-166. CRUZ, Filipa Braga. Morte em Tebas de Jon Fosse. Porto, FLUP, 2015. (Dissertação de Mestrado). DERRIDA, Jacques. Mal d`archive. Paris: Galilée, 2005. FIALHO, Maria do Céu, Luz e Trevas no Teatro de Sófocles. LISBOA: INIC, 1992. SIERZ, Alex. The theatre of Martin Crimp. London: Methuen Drama, 2006. MENDES, José Maria Vieira. Uma coisa não é outra coisa. Lisboa: Cotovia, 2016 SOARES, Carmen Leal. O exílio afectivo de Antígona na «Perdição» de Hélia Correia. In Furor. Ensaios sobre a obra dramática de Hélia Correia. Coordenação de Maria de Fátima Sousa e Silva. Coimbra: Imprensa da Universidade de Coimbra, 2005, pp.27-46 VÁRZEAS. Marta - A força da palavra no teatro de Sófocles : entre retórica e poética. Coimbra, 2005.